When life woke me up in pain at 2am, the hushed world was gifting me its quiet dreamscape as a canvas for tender contemplation. And it also meant that thoughts were falling together like swirling raindrops blown in from distant clouds: that is, rather incongruously. So do bear with me as you might be following along.
“It is only by living in the world that you acquire the ability to represent it. I am addicted to artists’ residencies, to sequestering myself to concentrate, to the vision that comes in silence, to Rilke’s vaunted solitude—but not to the exclusion of the engagement that gives you things to say. Try not to let your words outstrip your experience.”
The balance of living and recording is a tender and fluctuating reciprocal. The practice of being presently engaged throughout it all is an unremitting challenge — rather, opportunity. I am okay with not engaging in compulsive publication because I love just being in tune with my own presence and letting it guide my interaction with the world. Mistakes and shame are transformed into accepted misalignments and learning to laugh at myself. Perhaps this sounds like a bunch of hullaballoo, and maybe it is. And in no way have I mastered this way of living. Actually, I’m having difficulty with this College’s structural demands because it is leaving me too exhausted and strung-out to engage with the world from the place of appreciation I normally do. Sometimes I wonder where the illusion lies: Was it in my old state of non-awareness or my current learnéd state of descriptive and critical awareness?
If both … what was that space that I got a taste of occupying during my many months of living abroad in rural Ecuador before coming here to college [I took a gap year] … when I was in touch with a slower pace with just as rich with fulfillment and knowledge because I was listening deeply, with intuitive presence, to the Earth? But admittedly, there I was not acting with passion because I wasn’t doing as much as I had been trained to want to do within this American culture.
I think passion is also about keeping alive the dreamscape of the extraordinary to let it inform how I work with the otherwise ordinary. A friend posed to me — or maybe himself, but I was present — the question: Why believe in immortality, and the what if, if it’s just not true? Although I don’t consider myself delusional, I do think that infusing passion in life and life into my passions necessitates a certain non-acceptance of the way things are; It is by stepping just outside the boundaries of “what is true” to imagine a little bit of what could be from which creative actualization is born. This means living a little bit in the dream state (try: synthesizing thoughts at 4am).
I don’t function with a belief in immortality, but I do see truth of immortality amidst our mortal (and still quite ignorant) world. Profound works of art and music and prose have lasted centuries; An old acquaintance remarked recently, reflecting on her translation of Julius Caesar from ancient Latin to modern English, that she was humbled in a comedic way when an analogy he had made comparing squirting blood vessels to broken water lines was transmitted as a comprehensible analogy across millennia. And although I maintain a sense of self and personal boundary, I recognize that “I” am a creative work of the ideas and genetics of others. Although it can be frightening and strange to occupy these dimensions of possibility, it can also ignite a way of being that is, if a little stranger, more pragmatically opportunistic.
2. Finding space to do what I (am pretty sure) I’m passionate about
3. Opening up creative, unstructured and meditative time to release the rush of my mind
One day I, too, might publish my poems.Perhaps making art of life, in any lyrical, prosaic or spatial medium, is the zenith of passionate work.
[The featured image is a snapshot of my book.]